What she finds is too good a twist to divulge here. And Adelaide’s determined to figure out what they want and why they’re there. But it’s not just the Wilsons who are being stalked by their own doubles it’s a worldwide problem. Sure enough, her instincts are spot-on-as they realize when their home is invaded by a group of masked strangers … who they later learn are their own doppelgängers. When Adelaide (Oscar winner Lupita Nyong'o) and Gabe Wilson (Winston Duke) take their kids to the waterfront home where Adelaide grew up, she can’t shake the feeling that something’s not right. (Peele became the first Black writer to win an Oscar for Best Original Screenplay for his work.) So the pressure was on Peele when it came to his sophomore effort, and Us did not disappoint.
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Throw in a killer soundtrack and one of cinema’s most satisfyingly efficient endings and you’ve got a horror-comedy for the ages.Īfter years of being beloved for his comedic work as the cocreator of Key and Peele, Jordan Peele turned to the horror genre for his first foray behind the camera as the writer-director of Get Out (2017)-a movie that spoke to audiences because of its deft combination of horror, humor, and social commentary. Landis expertly balances laugh-out-loud humor with genuinely terrifying frights-most of them courtesy of special effects makeup wizard Rick Baker, who won a much-deserved Oscar for his work on the film (the werewolf transformation scene is iconic for a reason).
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Fortunately, his old pal Jack-looking very much worse for the wear-shows up to warn David that a full moon is coming and if he doesn’t kill himself before it arrives, he too will transform into a flesh-craving canine. While Jack is torn to bits, David survives but wakes up weeks later in a London hospital with little recollection of what happened.
American pals David (David Naughton) and Jack (Griffin Dunne) get slightly lost as they backpack their way through England and end up being attacked by a werewolf.
Horror-comedy is not an easy genre to pull off-especially when a movie like John Landis’ An American Werewolf in London has been around for comparison for nearly 40 years. This content can also be viewed on the site it originates from.
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